Lines of Bloom

This is not just a vase—it’s an experiment in geometry, shadow, and negative space. At its core is a soft cylindrical base in a muted beige tone, quiet and grounding. But rising behind it, like abstract wings, are translucent and textured forms: a frosted arch, a perforated disc, a cool green oval. Together they create a silhouette that shifts with the light and with the eye—never quite the same from one angle to the next.

The composition invites slow looking. It turns a single stem into a sculptural gesture. Even when empty, the vase retains its visual interest, acting as a standalone object—poised between design, architecture, and poetry.

Place it in an entryway to greet with grace, on a shelf as a moment of asymmetrical tension, or on a dining table as the quietest kind of centerpiece. It asks nothing—but offers much.

This is an object for spaces that value presence over decoration, form over flourish.